Glamour Textile MillsLimited
Raking light across a length of loomstate cotton, flat at one side and gathering into folds at the other.

Lahore, Pakistan  ·  Weaving  ·  Dyeing  ·  Finishing

A mill for woven textiles

Glamour Textile Mills Limited takes cotton and blended yarn through warping, weaving, dyeing and finishing on a single site at 11 KM Manga Raiwind Road — producing fabric to a buyer's construction, shade and hand.

  1. 01Yarn intake & conditioning
  2. 02Warping & sizing
  3. 03Weaving
  4. 04Dyeing
  5. 05Finishing
  6. 06Inspection & packing
01

The mill

Manga Raiwind Road
Lahore 55050

A dense sheet of ecru warp ends running off the beam, sharp in the middle and softening into the distance.

We are a weaving house first. Everything else we do — the dyehouse, the finishing range, the inspection tables — exists to make the cloth that comes off the looms behave the way a buyer expects it to.

The mill sits eleven kilometres along Manga Raiwind Road, on the industrial corridor that runs south-west out of Lahore towards Raiwind. It is close to the Punjab cotton belt that supplies most of our yarn, and close enough to the city that sampling, approvals and shipping documents move in hours rather than days.

Work is organised around repeatability. A construction is proved on the sample loom, locked as a recipe — sett, reed, pick rate, sizing formula, dye class, finish sequence — and then run to that recipe every time it is ordered. Shade continuity is held against an approved standard rather than against the previous lot, so the tenth delivery matches the first.

We supply apparel converters, home-textile packers and institutional buyers, in loomstate, dyed or fully finished form, and we are equally willing to weave to a customer's own yarn and specification.

Address
11 KM Manga Raiwind Road, Lahore 55050, Pakistan
Disciplines
Warping · Sizing · Weaving · Dyeing · Finishing
Fibres
Cotton, cotton/polyester, cotton/viscose, polyester
Forms supplied
Loomstate (greige) · Piece-dyed · Yarn-dyed · Finished
Markets
Domestic and export
02

Textiles

Core constructions
Six of the running qualities

Fine bleached cotton poplin in plain weave, lit to show the even grain.

Poplin

A/01
Composition
100% cotton
Weave
Plain 1/1
Count
40s × 40s
Construction
133 × 72
Weight
110 g/m²
Khaki cotton twill showing a clear diagonal wale across the face.

Twill

A/02
Composition
100% cotton
Weave
Twill 2/1
Count
16s × 12s
Construction
128 × 60
Weight
240 g/m²
Indigo denim in three-and-one twill, with the undyed weft breaking through the face.

Denim

A/03
Composition
100% cotton
Weave
Right-hand twill 3/1
Warp
Rope-dyed indigo
Construction
68 × 44
Weight
10.0 oz/yd²
Slate-grey cotton sateen with long weft floats carrying a soft lustre.

Sateen

A/04
Composition
100% cotton, mercerised
Weave
8-end sateen
Count
60s × 40s
Construction
300 × 80
Weight
130 g/m²
Blue and white cotton oxford in a two-by-one basket weave.

Oxford

A/05
Composition
100% cotton
Weave
Basket 2/1
Count
32s × 21s
Construction
110 × 58
Weight
160 g/m²
Heavy natural cotton canvas with thick, slubby yarn in plain weave.

Canvas

A/06
Composition
100% cotton
Weave
Plain 1/1
Count
10s × 10s
Construction
60 × 42
Weight
320 g/m²
03

Manufacturing

Yarn to packed roll
On one site

Rows of cross-wound yarn cones in ecru, indigo, madder and olive standing on the creel floor.

Fig. 03.1 — Creel

Cones are conditioned and creeled by lot. Yarn from a single lot is kept together through warping so that any variation in count or twist stays inside one beam rather than striping a piece.

  1. 01

    Yarn intake

    Ring-spun and open-end yarn is received by lot, checked for count, strength and evenness, and conditioned before it goes anywhere near a creel.

  2. 02

    Warping & sizing

    Sectional and direct warping to the required sett, then sizing to the yarn's own recipe — enough film to survive the shed, little enough to wash off cleanly.

  3. 03

    Drawing-in

    Every end is drawn through its heddle and dent. The draft and denting plan are held with the construction so a repeat order is rebuilt exactly.

  4. 04

    Weaving

    Plain, twill, satin, basket, herringbone and dobby-figured cloth. Loomstate is checked at the loom and again on the greige inspection frame.

  5. 05

    Dyeing

    Preparation, then reactive or vat dyeing to an approved standard, with laboratory matching before bulk and shade continuity checks through the run.

  6. 06

    Finishing

    Singeing, mercerising, sanforising, calendering and softening — chosen to hit the hand, shrinkage and width the buyer signed off.

Steel heddles hanging in a harness frame, each eye carrying a single warp end.

Fig. 03.2 — Harness

One end per eye. The drawing-in plan is what makes a weave a weave.

Macro view of spun cotton yarn showing the helical twist and stray surface fibres.

Fig. 03.3 — Twist

Twist direction and turns per inch decide how a cloth will take dye and how it will wear.

04

Quality

Laboratory & inspection
Greige and finished

High-magnification view of a woven face, showing individual yarn crossings and surface fibres.

A fault costs least at the loom and most at the buyer. So we look early, look often, and write down what we saw.

Greige is inspected on frame before it is allowed into preparation. Finished pieces are graded on the four-point system, and every dyed lot is checked against its approved standard under controlled lighting rather than by eye at the table.

  • ISO 105-C06Colourfastness to domestic and commercial laundering
  • ISO 105-X12Colourfastness to rubbing, dry and wet
  • ISO 13934-1Breaking force and elongation, strip method
  • ASTM D5034Grab tensile strength
  • ASTM D3775Warp and weft thread count per unit length
  • AATCC 135Dimensional change after home laundering
  • 4-point systemFabric grading, greige and finished
05

Collections

Developed in-house
Open to adaptation

Yarn-dyed check in ecru, indigo and madder on a two-by-two twill ground.

Yarn-dyed checks

C/01

Warp and weft dyed before weaving, so the pattern is built into the cloth rather than printed onto it. Colourways are drafted to the buyer's palette; the ground weave can be plain, twill or oxford.

Charcoal and off-white herringbone with a broad chevron repeat.

Herringbone

C/02

A reversing twill run at several repeat widths, from a fine suiting chevron to the broad jacket weight shown here. Suits piece dyeing as readily as it suits a two-colour yarn-dyed ground.

Madder-red figured cloth, a diamond motif raised out of a satin ground.

Figured dobby

C/03

Motifs lifted out of a satin ground by swapping the weave rather than the colour, so the figure reads as light on cloth. Used for home textiles, table linen and decorative apparel panels.

Folded lengths of dyed cloth stacked edge-on in red, navy, ecru, green, ochre, black and grey.

Shade library

C/04

Standing shades held as physical standards and re-cut on request, plus development against a buyer's own reference. Lot-to-lot continuity is judged against the standard, never against the last delivery.

06

Contact

Enquiries & sampling
Monday – Saturday

Mill & office
Glamour Textile Mills Limited
11 Kilometers Manga Raiwind Road
Lahore 55050
Pakistan
What to send with an enquiry

Construction or a reference swatch, required width and weight, finish, shade reference, quantity and delivery window. If you have a hanger, send it — matching cloth in the hand is faster than matching it on paper.

Hours

Monday to Saturday, 09:00 – 18:00 PKT